. . . as an old man:
Like most struggling artists, Harry Bertschmann is hoping to be discovered. Unlike them, he already has a pedigree: he has shown his work alongside Mark Rothko, Franz Kline and Robert Motherwell while they were still alive and in their prime. In 1958, a large Bertschmann canvas was featured in the Carnegie International exhibition in Pittsburgh, a rarefied achievement for any artist, let alone one in his mid-20s. Since then, Mr. Bertschmann has painted or drawn nearly every day of his adult life, producing a body of work that has been praised by some of the art world’s foremost tastemakers. Yet he has remained virtually unknown.
There are many hundreds of men like Mr. Bertschmann; hopefully he and his wife will find some financial success soon.